By the time this post has been published [I scheduled this one in advance], I’ll be offline and preparing for a long weekend of radio fun at the W4G SOTA Campout in north Georgia.
I’m looking forward to catching up with friends, trading (mostly true) stories, and hopefully activating a number of new-to-me SOTA summits and POTA parks.
As long as my ankle cooperates, I plan to hit at least a couple of summits each day.
If you care to chase me on the air, check out the SOTA Spots page and/or the POTA Spots page.
My activations will likely be super short so that I can fit in multiples within a day. That said, our campground is in Chattahoochee-Oconee National Forest (K-4473), so I should have longer evening sessions on the air.
At SOTA events like this, you can get away with only carrying an HT: it’s easy to work other activators Summit-to-Summit (S2S) on VHF since there are so many other SOTA ops on nearby summits.
I will still do HF, though, unless I’m really pressed for time. I’ve packed a wide variety of radios and antennas. In fact (typical me) I’ve packed more than I know I could possibly put on the air in one weekend.
I don’t expect to have mobile phone or internet service other than when I’m en route to or on summits. Obviously, I won’t be checking email during this time.
Frankly, there’s nothing better than a little offline & on-the-air time!
After returning from Canada this summer, I had a number of projects on the table including three radios to evaluate and a number of DIY projects on our investment house. The home projects took priority, so for the month of August, I did very little in terms of POTA activating.
In September, there was one radio in particular I was very eager to take to the field (besides the Penntek TR-45L). That was my Elecraft KX1, “Ruby.”
Before leaving for Canada, Ruby went into surgery once again under the care of my good friend “Dr.” Vlado (N3CZ).
I couldn’t figure out why she kept dropping power output to nil after being on the air for 20-25 minutes. I knew Vlado would sort out the issue.
Vlado discovered the source was a cold solder joint that was failing when the radio would become warm from operating. He fixed this and checked a number of other spots on the board.
He then tested the KX1 on a dummy load for and hour and she performed flawlessly after the surgery.
He fixed Ruby in early June and then we went to Canada for two months. I never put Ruby on the air in Canada.
After our return to the States, I was eager to take Ruby out to the field again and that’s exactly what I did on Sunday, September 11, 2022.
Lake James State Park (K-2739)
Lake James State Park–along with South Mountains State Park–are the easiest parks for me to hit during my nearly weekly travels on Interstate 40. I feel so fortunate that both are superb POTA sites with loads of spots to operate.
I arrived in the late afternoon and to my surprise there was hardly anyone at the park (I think it was a little too close to evening mealtime for families).
I set up my station at a table close to the parking area just to keep things simple. I was looking forward to enjoying at least 30 minutes on the air and seeing just how well Ruby might hold up.
I decided to use the Tufteln End-Fed Random Wire antenna knowing it would be a quick to deploy and frequency agile.
I tried to use the KX1 ATU to tune the random wire, but I wasn’t pleased with the SWR. Frankly, it was doable (1.9:1 on 20 meters), but I wanted something much closer to 1:1 since I was already only pushing 2.5-3 watts output.
Keep in mind, the KX1’s internal ATU is not in the same league as the ones in the Elecraft KX2, KX3, or T1–the KX1 ATU has a much smaller matching range.
Also, I suspect Ruby’s ATU wasn’t built for optimal performance by the original builder. I do plan to re-work her ATU as best I can at some point in the future.
I pulled out the Elecraft T1, put the KX1 ATU in bypass mode, and hooked it up to the antenna. The T1 had no problem at all finding 1:1 matches across 40, 30, and 20 meters, of course.
I enjoy reading the posts on the QRPer. The size comparison photos recently posted got me thinking. I had taken a photo several months back of a X5105, 817, RS918 (McHF), G90 and a 705, basically to do the same thing (size comparison).
I have attached them for your amusement [click to enlarge]:
73,
Ken WW5A
Thanks for sharing these, Ken. To me, it’s interesting to see the comparison between the FT-817 and the G90. When I owned a G90 I didn’t have an 817 at the time for comparison. It reminds me just how long/deep that G90 was! Also interesting to see that the mcHF clone is a wee bit wider than the IC-705. Thanks for sharing!
After sharing a few photos by request comparing the size of the Mountain Topper MTR-3B, MTR-4B, and Elecraft KX2 yesterday, I took a few pmore photos by request comparing those same radios with the Elecraft KX1.
I decided to simply post these on QRPer.com in case they could also be of help to someone else:
A reader/subscriber just asked for photos comparing the size of the Mountain Topper MTR-3B and MTR-4B. I know they were also curious how the MTR-4B might compare in size with the Elecraft KX2. Of course, one can look up the actual sizes, but sometimes a photo adds more context.
I decided to simply post these on QRPer.com in case they could also be of help to someone else:
A question I’ve received several times since sharing my last field activation with the MTR-4B is “why do Mountain Topper radios have three individual band switches–?”
That’s a great question and the answer is actually in the product manual.
The following comes from the MTR-3B manual but also applies to the MTR-4B (save the 4B has four band positions instead of three):
The band is selected by three, three position slide switches. For proper operation, all three switches must be in the same column[…]. It’s easy to get into the habit of flipping each switch in sequence from the top down.
The top switch tells the processor which band to operate on and connects the Receiver input filter to the first mixer. The middle switch connects the transmitter low pass filter output to the antenna and connects the antenna to the receiver input filter. The bottom switch connects the output of the transmitter PA to the low pass filter.
The manual is correct: it’s easy to get in the habit of sliding all three switches with band changes. It becomes second nature in very short order.
It’s easy to tell that all of the switches are in the correct position as well because without all three switches selected, the receiver sounds deaf and audio muted. With them in position, the receiver sounds “alive.” (That said, the noise floor is so low on these radios, it’s quite possible you might think they’re not engaged properly if there aren’t many signals on the band!) Of course, it’s very easily to visually inspect the switches and confirm they’re in the correct position.
Side note: On the Mountain Topper series, each band switch is an independent mechanical switch. On the Venus SW-3B (which was no doubt inspired by the Mountain Topper) the two band switches are bound together as one:
You can’t tell from looking at the photo above, but if you slide the top switch, you’re also sliding the bottom switch: the two switches are only one mechanical piece. An interesting design choice!
Side Note: The (now discontinued) Mountain Topper MTR-5B had a more complex series of six switches. Here are the instructions for it along with a drawing from the MTR-5B manual:
I hope this helps clarify how/why the Mountain Topper series uses multiple switches for band changes!
Thank you for sharing this, Don! That’s a clever use for that book lamp. I’ve often thought that all field radios ought to have a logging lamp on them like the KX1. This is a nice and inexpensive workaround!
Turns out, if you go to Canada for nearly two months, when you return home you’re going to have about two months worth of catch up.
It’s all explained in one of Einstein’s theories. If memory serves, Einstein stated:
“One cannot simply ignore stuff for two months and expect no repercussions. Time lost must be accounted for due to the principles of the conservation of energy. Plus…what in creation were you thinking?”
When we returned from Canada in early August I had some pretty big plans about the parks and (especially) summits I would hit here in North Carolina. But after returning, I quickly realized I had so much work to do around the house and a number of DIY jobs I’d postponed at our investment property. They all immediately took priority.
Indeed, in the one month span after returning from Canada, I only performed three park and no summit activations. There was a three week period of time without activations of any sort. I simply didn’t have the time to fit anymore in my schedule. This all gave me a serious case of activation withdrawal.
If you’ve been following my field reports, you’ve no doubt noticed that I never do multi-hour activations at one site unless I happen to be camping at a POTA park.
I’m asked about this fairly regularly (why I don’t do longer activations to achieve Kilo awards, etc.) but the truth is I make POTA/SOTA fit in my busy family schedule. This often equates to short (30-60 minute) activation windows.
Then quite often, I’m on the road or doing errands in town and realize I have a short opening for an activation, so I squeeze it into the day. This is why I always have a fully self-contained field radio kit in my car. At a moment’s notice, I can set up a station, and play radio.
In a way, I find this style of quick activation fun, too. “Can I seriously validate a park during this short window of time–?”
These activations remind me of that scene in A Christmas Story where the father gets a small thrill out of timing himself as he changes a flat tire on the side of the road. I totally get that.
Except with me it’s deploying antennas instead of managing lug nuts.
Hamfest time!
Friday, September 2, 2022 was a big day for me. On the way back from visiting my folks that morning, I spent a couple of hours at the Shelby Hamfest.
The Shelby Hamfest typically has the largest outdoor tailgate market in all of North Carolina and likely one of the larger ones in the southeast US. I had no items on my wish list, I just wanted to see what was there.
This was the first hamfest I’d attended in a little over a year. It was a lot of fun and I got to meet a number of friends and readers/subscribers.
Driving home after the Shelby Hamfest that early afternoon, I realized I was passing dangerously close to the Clear Creek access of South Mountains State Park.
I had a couple of errands to run back home before the post office closed at 17:00 that day, but in my head I believe I had just enough time for a quick activation. The total amount of detour driving would only be about 15 minutes; I’d just need to keep the activation (including most set up and pack up) under 45 minutes or so.
At the last minute, I took a right turn and headed to the park!
Fortunately, the one lonely picnic table at the Clear Creek access was unoccupied.
I grabbed my IC-705 kit and a new antenna!
The MM0OPX QRP End-Fed Half-Wave (EFHW)
A few weeks prior, Colin (MM0OPX) reached out to me and asked if I would consider testing a new high-quality, highly-efficient QRP EFHW he’d designed.
Of course, there’s nothing new about an EFHW–it’s one of the most popular field antenna designs on the planet–but Colin’s goal was to make one with the lowest insertion loss possible in a compact, lightweight (50g), and durable format.
I say he succeeded.
In fact, this activation was actually the second one where I used Colin’s QRP EFHW. The previous day, I paired it with a then very Beta version of the Penntek TR-45L at Tuttle Educational State Forest (K-4861).
In short, the antenna made for a wildly successful QRP activation. Here’s the QSO Map (you’ll need to click and enlarge to see the number of contacts):
QSO Map from the previous day with the MM0OPX QRP EFHW
The Penntek TR-45L was still quite new at the time and even though I got John’s (WA3RNC) blessing, I didn’t post the activation video and mini overview on YouTube. Keep in mind the TR-45L was still in Beta so not all features had been finalized.
As I mentioned in a previous post, I’ve now invested in a Pro account with Vimeo that allows me to post completely ad-free videos that my Patreon supporters can enjoy and even download. I recently discovered that YouTube unfortunately inserts ads even though I have monetization turned off. I pay for Vimeo’s bandwidth and server space, so I also can control the ad experience completely (basically eliminating any possibility of ads!).
My Patreon supporters are the ones making it possible for me to pay the annual $420 fee to Vimeo and I am incredibly grateful, so I pass along the benefit to them.
This year, I’ve had a couple of readers very kindly offer to loan me their FX-4C transceivers to take to the field and review.
Those offers have been very temping because I’ve only heard positive comments from owners of this wee feature-packed SDR transceiver designed by Yu (BG2FX).
Earlier this year, I learned that Yu was retiring the FX-4C and would be introducing two new radios, so I decided to hold off on an FX-4C review for this reason.
My buddy, Don, informed me that the new radios were now available for pre-order, so I checked out the option on Yu’s website, and placed an order.
Details (features and specs) are still a little sparse because BG2FX is still finalizing the design and lining up production, but here’s a snapshot of the two models based on Yu’s preliminary info:
The FX-4CR can push 15-20 watts on most bands according to John, which is most impressive for a one pound radio that fits in the palm of your hand! It covers 80 – 6 meters, sports a color screen with a 48 kHz wide waterfall display, an internal sound card for digital modes, built-in speaker and microphone, 9 – 18 VDC input range, and even sports Bluetooth!
That’s an impressive array of features for $550 US (on pre-order).
The FX-4L
I pre-ordered the FX-4L and am told by Yu that it should ship by end of October or early November 2022. I wouldn’t be surprised if that’s an optimistic projection.
The FX-4L is essentially a more basic QRP version of the FX-4CR; it’s maximum output power is around 5 watts.
It’s very similar to the FX-4CR in many respects: it has the same display from what I can tell, covers 80 – 6 meters, has a wide voltage range 9 – 18 VDC, sports an internal sound card, and is super compact and lightweight.
The FX-4L doesn’t appear to have Bluetooth. Lu doesn’t mention a built-in speaker or microphone, but there’s an obvious speaker grill and even a small hole that might be a microphone. I’ll try to confirm this. Yu does note that there’s room in the chassis for the user to add a battery or ATU.
I’ve been more interested in the FX-4L because, as you likely know, it’s very rare for me top operate over 5 watts of power.
That said, I certainly see the appeal of a 15W+ radio like the FX-4CR.
(Many thanks to Yu for sharing all of the FX-4L photos above.)
Stay tuned!
I’m really looking forward to checking out the FX-4L and also reading AE5X’s assessment of the FX-4CR.
I’m curious if anyone else has pre-ordered one of these radios. Also, if you’re an FX-4C owner, I’d love to hear your comments!
Many thanks to QRPer.com reader, Charles, who recently sent me the following question:
Thomas, I’ve watched a number of your videos and read your activation reports. I’m studying for both my Technician and General class license right now and hope to pass both in one session later this month. I’m also learning CW.
I consider myself an audiophile and appreciate good audio fidelity. I know that amateur radio modes are narrow and by their very nature have less audio fidelity than commercial broadcast modes.
I’ve already obtained a Kenwood TS-590G for the shack. It was practically given to me by a friend. I’m very pleased with its audio fidelity especially when I connect it to an external speaker.
Next year, I plan to buy a dedicated QRP field radio. Out of the radios you’ve owned, what are your favorites in terms of audio fidelity. Also, what are your least favorites?
Thank you.
What a great question, Charles!
Being an audiophile, I’m sure you understand that this is a very subjective area: one person’s idea of good audio might not match that of someone else’s.
I can only speak to how I evaluate a transceiver’s audio.
What makes for good audio?
A lot goes into what I would call “good audio” in an amateur radio transceiver.
To me, “good audio” means the radio
produces clear accurate sound,
has stable AGC (Auto Gain Control),
has audio properties that benefit amateur radio modes like CW and SSB,
has enough audio amplification to be heard in noisy field conditions,
and has little to no internally-generated noises leaking into the audio amplification chain. (In other words, a low noise floor.)
In contrast, radios with poor audio
sound noisy/harsh,
have a high noise floor or produce audio hash making it difficult to hear weak signals,
have speakers that become distorted at higher volume levels,
have poor AGC characteristics which lead to pumping,
and are simply fatiguing to listen to during extended on-air sessions (like long activations or contests).
I would add that a good receiver front end is an important part of audio because it keeps imaging and overloading at bay, thus producing a less cluttered and noisy audio experience.
My field audio favorites
I’ll keep this discussion limited to QRP field portable radios. There are numerous 100 watt desktop radios with excellent audio because those models aren’t trying to limit their current consumption like field radios typically do. They can use more amperage to benefit audio amplification and push a much larger speaker.
In addition, I’ll limit the scope to field radios with built-in speakers. There are some great CW-only radios out there that lack an internal speaker but have great audio (thinking of the Penntek TR-35 and the Elecraft KX1, for example); choice of earphones or headphones can have a dramatic effect on audio. That’s a different discussion altogether!
Best audio: My top three picks
The following are three of my favorite portable field radios in terms of audio quality. I limited myself to three simply because all of the radios I use regularly in the field have what I would consider good and acceptable audio.
The following are simply stand-outs, in my opinion:
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